Discography

Right from the crescendo that welcomes you in before it drops away into an atmospheric landscape, the voice at its centre so quietly intense he may as well be singing inside your own head, Christian Kjellvander's new solo album undeniably feels like a big record. The seven songs on this gently unhurried long-player are allowed to build and meander, make unexpected turns or even pause to look over their own shoulder before moving on, four of them ending way beyond and one just shy of the seven-minute-mark. It comes as a bit of a shock then to learn that this sound that ranges from almost-silence to unbridledly expressive, widescreen hugeness was created mostly as live by a minimal three-piece line-up in a Stockholm studio basement:

- Per Nordmark on drums
- Pelle Anderson on a Fender Rhodes, a Prophet 5 and a Korg Prologue
- Christian Kjellvander on vocals, guitars and whatever came to hand, adding just a touch of bass at the end of two songs.

It was May 2020 when this trio congregated, a time, of course, when all of Europe was under strict lockdown, with the famous exception of Sweden. But Kjellvander has a point when he claims that working in the studio also amounts to a kind of self-isolation: “It's very similar. When you're not on tour you're kind of in lockdown. I was living in the country in the middle of nowhere for eight years, and that's kind of been in lockdown.”

Indeed, About Love And Loving Again is the sound of Christian Kjellvander waving goodbye to the converted old chapel out in the Swedish wilderness where so much of his music of previous years was written and recorded, “The Baptist Lodge” that lends its name to the opening song. “Meanwhile at the Baptist Lodge there is new paint on an old Dodge,” he sings, and “once it goes east it ain't ever coming back.” The song's evocative lyrics contrast the image of an iconic American car with another stand-out line that finds the singer at the outer edges of Sweden: “I drove down to the southernmost beach in our country”

“I never thought it would come out in my lyrics subliminally,” Kjellvander says, “but for many, many years after growing up in the States and then moving to Sweden, I felt that I was an immigrant. Only after about twenty years there it dawned on me that 'Wait a minute, I have kids here, I'm really living here now, this is my life.' In the late nineties when that whole Americana thing broke, of course I was in that scene at the time. But I've moved on, and really my music is set in Sweden nowadays, or just Europe in general.”

Liner notes

Per Nordmark on drums
Pelle Anderson on a Fender Rhodes, a Prophet 5 and a Korg Prologue
Christian Kjellvander on vocals, guitars and whatever came to hand, adding just a touch of bass at the
end of two songs.